Sarah Aarons didn’t know who Maren Morris was the primary time she heard her voice. The Australian songwriter was watching the 2017 Grammys at a pal’s home and was amazed by one of many singers she noticed carry out. “I used to be like, ‘Who is that?’ Like, ‘Holy shit! That lady can sing,’” Aarons remembers on the cellphone from Los Angeles. “And I bear in mind somebody being like, ‘Her identify’s Maren Morris. She’s actually good. She’s like nation, nevertheless it’s like rock, and it’s cool.’” Aarons even requested her supervisor about Morris and bought a response alongside the traces of, “You’ll by no means work along with her. She’s too cool for you.” So Aarons put Morris’ identify out of her thoughts.
Fast ahead to mid-January 2018: It was the week earlier than EDM producers Zedd and Grey have been purported to launch “The Middle,” which Aarons wrote the topline for, and a demo labeled “Maren Morris” had simply arrived. Aaron’s supervisor reminded her this was the artist she was raving about one 12 months earlier than. Once Aarons heard Morris’ ultimate vocals on the monitor -- Aarons was in Australia whereas Morris reduce her half -- she was shocked. “Her voice was simply loopy on [“The Middle”],” she says. “I used to be like, ‘Oh my god, that is unbelievable. This is so excellent.’”
The world appeared to agree: “The Middle” reached No. 5 on the Billboard Hot 100 and topped each the Billboard Dance and Pop Songs charts, and now it’s up for 3 Grammys this Sunday: report of the 12 months, tune of the 12 months and greatest pop duo/group efficiency.
For Aarons, the writing course of for the simmering dance-pop tune “The Middle” was typical: She heard the bottom monitor, began by producers The Monsters and the Strangerz, and started developing with melody concepts instantly. “I got here in, and so they had this synth that was taking part in that was like, ‘whoop-whoop, whoop-whoop, whoop-whoop, whoop-whoop,’ and I used to be like, ‘Oh, that rhythm is actually sick,’ and I simply began singing the refrain,” she remembers.
The remainder of the tune got here collectively shortly, nevertheless it took greater than a 12 months to complete due to a prolonged seek for the appropriate vocalist: More than a dozen totally different singers, from Demi Lovato to Charli XCX, recorded demo takes of “The Middle.” “There have been moments the place I used to be not as [in the song] as a result of it was simply stressing me out,” Aarons says. But she thinks Morris’ vocals on the monitor simply made excellent sense: “I like that [Zedd] all the time places somebody on [a song] that’s actually massive however not predictable.”
The success of “The Middle” was all new to Aarons, who grew up in Melbourne, Australia. She spent her childhood competing for singing and songwriting awards, and at age 19 realized that her childhood ardour maybe held the important thing to her future. “I had this certificates on my wall for an award I gained after I was 12 years previous, and it mentioned, ‘Songwriting Award,’ and I used to be like, ‘That’s loopy,’” she remembers. “Anything I bought praised for as a child that did singing lessons have been really songwriting awards.” When she later discovered that Sia, who’s additionally Australian, had written “Diamonds” for Rihanna, Aarons’ profession path got here into focus. “I didn’t even comprehend it was a job,” she says. “I simply knew immediately, I've to not less than attempt to make that my job.” Aarons had by no means even been to a studio earlier than, however she began writing songs day by day, sending them to anybody she may.
It labored: She quickly caught the eye of Sony ATV in Australia, which signed her to publishing based mostly on the energy of what Aarons says have been “horrible” demos. She didn’t have any actual credit to her identify, however they have been sufficient to get her foot within the door. Once she penned her first breakout hit, Zedd and Alessia Cara’s 2017 collab “Stay,” she moved out to Los Angeles, the place she’s lived since.
Last 12 months, at a Grammys after-party in New York, Aarons -- on the town to toast the success of “Stay” -- lastly met Morris. Aarons noticed her whereas they have been each taking a minute away from the group and approached her apprehensively. “‘Hey, sorry to be this individual, however I wrote ‘The Middle,’” she remembers saying. And she remembers Morris lighting up immediately: “‘Wait, you’re the individual from the demo? I find it irresistible a lot! This is superb, and I’m so comfortable I bought to sing it.’”
Their songwriter meet-cute has since blossomed right into a friendship and inventive partnership. Aarons cowrote “GIRL,” the title monitor and lead single from Morris’ upcoming album, in addition to two different tracks, together with the Brandi Carlile duet “Common.” “I’m so comfortable she got here into my life, and making music for her report is a few of my most favourite music that I’ve ever been part of,” Aarons says. “I all the time say, ‘Make music with the folks you’d wanna rejoice its success with,’ and he or she’s positively an individual who I’m so excited to rejoice something [with].”
At this 12 months’s Grammys, Aarons would possibly simply be celebrating alongside Morris. Aarons scored her first Grammy nomination when “The Middle” obtained a nod for tune of the 12 months. (The different classes it’s nominated in are usually not awarded to songwriters.) “I nonetheless haven’t actually gotten that into my head, and I don’t assume I ever will,” she says. But it’s a real full-circle second for the songwriter, contemplating “The Middle” got here out just some days earlier than the 2018 Grammys and had its music video premiere throughout the ceremony. “First discovering Maren on the Grammys even the 12 months earlier than, that's bizarre to me -- and never even a 12 months later I had a tune come out along with her,” she says, nonetheless sounding a bit of stunned by all of it.
With songwriters like Julia Michaels moving into the highlight and jumpstarting their artist careers lately, Aarons is aware of there’s a possibility to make the same transfer. But for now, she says she’s simply not . “I all the time pictured myself being the individual behind the folks,” she explains, and that retains her a lot busy anyway. While she has numerous releases developing, she solely divulges one, a John Legend tune referred to as “Preach” arriving subsequent week. And her pleasure about it may well’t be contained: “I simply wish to write songs without end. That’s it. I wish to make songs with superior folks for the remainder of my life till I die.”